WAA Readings

“Judith” is a chapter from “Feminism and Art History: Questioning the Litany” by Broude and Garrard. In this chapter, Garrard entails the subtelties of the discussion we started last night. If you’d like to know more about the story of Artemisia Gentileschi and the heroic/monumental women in her paintings.

Seven Stepping Stones is reading for next week’s salon on June 14.

The Triple Negation of Colored Women Artists by Adrian Piper, orginally published in Next Generation: Southern Black Aesthetic, 15–22. Winston-Salem, N.C.: Southeastern Center for Contemporary Art, 1990.

The Name of the Game is reading for next week’s salon on June 21.

The Big Occasion Cake

A respondent asked me about the recipe I reprinted on the Survey of Cook Book Habitry. The original recipe, dated April 1968, is long lost, I think. This version of the recipe has been around for decades, since the early 1990s. I’ve been carrying this copy around since I was Patty Blasko and living in Oakland California. It has traveled thousands of miles, crammed into my first edition Betty Crocker Picture Cook Book.

You can see evidence of my mom’s kitchen on this recipe. She cut it out, like other recipes that worked for her, then imparted her own notes on the original. Her perfect cursive 8″ rounds hangs over the teaspoon of vanilla. Mom stapled the original magazine copy to a sheet of letterhead from our family store “Mary Jo’s Grocery,” then 3-hole punched it for her blue binder. Mary Jo’s 1-inch binder is what I’d call an auxiliary cook book, unpublished, unique and variable. Boxes of index cards fall into this category of cook book, too. There are often wonderful handwritten recipes in auxiliary cook books. 

Mary Jo with two of her daughters Patty and Mary Grace, in front of our family grocery store. This photo was taken in 1969, less than year after The Big Occasion Cake recipe was published by Better Homes and Gardens.

Growing up, The Big Occasion cake was as regular as April. It was my father’s favorite birthday cake, he loved anything with pecans. When they were oven toasted in butter, like for this recipe, it was decadent to him, almost sinful. 

Mom would bake The Big Occasion Cake other times, too. I can remember chopping the dusty pecans and closely monitoring them in the oven. My job was to toss them three times, making sure to cover every nut in some melted butter. Then I’d gauge when to pull them out, judging by the smell of them toasting… to just the right doneness. 

I could never understand why dad would choose nuts over chocolate or banana. But I  would enjoy eating The Big Occasion Cake and making it for him when I lived within baking proximity. Baking proximity can be hundreds of miles, by the way. I recall once baking The Big Occasion cake in my Queens New York apartment and driving through the night to deliver it in Johnstown accompanied by a surprise song. 

Of course we’re looking at a digital scan of the photocopied recipe. The actual recipe is on my dining room table. I baked the Big Occasion cake last weekend, with walnuts. Dad would have tolerated but not approve of my substitution, as ever. 

Cook Book Habitry

Cook books are not just tools in a kitchen. They are repositories of memories, evidence of meals consumed long ago, and promises to cook again. Time escapes us in an inherited cook book through the suggestion of future gatherings around our grandmother’s foods. Cook books hold tried and true recipes, while also posing the possibility of making something new. They entertain and educate through histories, geographies and substitutions. Cook books can be regional, about one food pathway, collective efforts, or of a restaurant.

The Survey of Cook Book Habitry seeks to enrich our appreciation of cook books by inviting conversations about how we use them 

Cook Book Habit: Her cook books hold recipes she’s collected from different places including ones torn from product labels, cut from magazines and written on index cards. This one is torn from a magazine, stapled to a piece of stationary from the family grocery store, then photocopied.

The Survey of Cook Book Habitry will be administered live at Classic Elements in Johnstown PA on May 28, 2021 from 10am to 2pm.  There are two other ways to take the survey if you can’t join me in the shop.

First, and this is my preference, download and print out the PDF version of the survey. Respond to the questions by hand and mail it to The Habitorium c/o Classic Elements, 345 Main St, Johnstown PA 15901. If that doesn’t work for you, reply electronically; take the Survey of Cook Book Habitry online.

The Survey of Cook Book Habitry closes on June 17, 2021 for reporting purposes. Responses received by the close date will be distilled into a Report on Cook Book Habitry. Provide your address, electronic or postal, to receive a copy of the report. Survey replies received after June 17 are very welcome, but will not be included in the report.

Survey of Cook Book Habitry

  • select all that apply
  • select all that apply
  •  

Swim Stories

What crosses your mind when you cross the pool?

Designed by a writer who swims, this workshop is for swimmers who write, or anyone who thinks about swimming. Participants are invited to write in a compelling way about their experiences in the water. Start a poem or song, add a scene to your screen play, develop a chapter to your memoir, or a character in a short story. Whatever your writing style or chosen form, the write from life lab is a place to experiment and deepen your practice.
Not a swimmer? Write about why.

The lab meets three Wednesdays in June at the YMCA (and by ZOOM!) when we will read, write and swim together! Read more and register for WRITE FROM LIFE: SWIM STORIES  https://www.pennhighlands.edu/workforce-community/personal-enrichment/ The Write From Life Lab is facilitated by Jo Novelli-Blasko (jonovelliblasko.com) and offered through Penn Highlands Community College’s personal enrichment program.

FROM THE PENN HIGHLANDS WEBSITE:
This Write From Life Lab convenes three Wednesdays in June 9, 16, and 23, and asks participants to write from and about their personal experience in a compelling and meaningful way. Swim Stories is an invitation to think about swimming, how we do it, where, when, and why. From the Soakzone at Idlewild Park, to the Ocean and the YMCA pool, swims happen in a variety of contexts. Consequently, swimming offers an infinite array of metaphors like testing the waters,  taking a dip, or riding a wave. Write From Life Lab is a place to experiment with how to access these metaphors and make meaning in and through writing from experience. Participants will be  challenged to write about swimming in a way that can matter to other people. Through reading, writing exercises and research prompts, participants are invited to compose a Swim Story. Participants are asked to bring a favorite writing instrument and a journal for recording their work. Register here: https://www.pennhighlands.edu/workforce-community/personal-enrichment/

Write From Life Lab: Swim Stories will meet at the Johnstown YMCA from 5:30-7:30. Local writers who pay the Materials Fee will enjoy an hour of swimming from 7:30-8:30.

Downtown Salon

For this series of conversations, I’m looking back toward a class I taught at Arizona State University. Women Art and Activism was offered on the Tempe campus in the Spring of 2009. It was a seminar with lots of reading and only a handful of students. The Downtown Salon is an opportunity for me to re-think, out loud, about content from the course.

Participants will be offered a reading in advance of each meeting to provide a platform for thinking about the work we’ll see. But the readings are entierly optional; being a part of the conversation does not rely on reading them.

Our gatherings will be loosley orgainzed around a theme. We will begin each meeting with a presentation of work and then open the floor for discussion. During the last 1/2 hour of our time together, we’ll turn our attention to the aritsts and activists in the room. Of course, contributing your work to the conversation is also optional, no pressure to perform.

WOMEN ART AND ACTIVISM
June 7, 14, 21, 28
6-8 p.m. EST
This series of four talks will consider the influential presence of women artists who challenge the status quo in and through their work. Discover a range of art that expresses feminist actions explicitly or in attitude, demonstrating how women were actively in resistance through their creative work. The scope of our undertaking includes an array of art from painting and sculpture, to performance and film. Please be prepared to respectfully consider challenging (often explicit) art. Each talk will be followed by a group discussion about the work.

The Downtown Salon is a hybrid experience. It will be broadcast live and ZOOMed from ArtHouse6, an art gallery located at 126 Walnut Street. To participate in the conversation, register through the Community Education Program at Penn Highlands Community College.

Officiant Services

My interest in officiating unions is a consequence of my divorce. I was determined that the ruination of my marriage vows would not be the final word on weddedness! Now, I gleefully pronounce celebrants united, partnered, wed, mated for life, or however you come to be together till death do you part. I equally enthusiastically facilitate your apologies and forgivings, and witness any wager you venture to make.

My interest in officiating also emerges from my faith in the power of language to get things done. When you speak a promise out loud and mean it, you change the terms of your relationship to another person. The same is true when you act with your heart to forgive someone, say you’re sorry, or lay a bet. I believe speaking truth into the world makes it a different place. As an officiant, I witness these spoken gestures and celebrate all the changes they create and the hope they manifest.

Ceremonial Paperwork, Scripts, Costs

My officiating services require celebrants to complete a Survey of Habits of the Heart. This instrument will outline what is important to you in preparing for your pronouncements. Respond as fully as possible; be forthcoming. Your reply will guide us in shaping a ceremony to best represent your intentions. In addition to a Survey of Habits of the Heart, wagers require a signed contract documenting what’s at stake. Marriages require a license to make it official with the state.

Each ceremonial event will have a unique script built through a conversation about your response to the Survey of Habits of the Heart. The more robust your response, the more closely aligned your intentions can be to the ceremony we design together.

Since each ceremony is as unique as its participants, my fee for service will vary. Officiating fees begin at $100 for a basic service and range to $500 or more for elaborate proceedings. Basic service includes one hour with me to plan your pronouncements, unlimited email follow up and a gathering of four celebrants (the couple and two witnesses) at a Johnstown venue. Travel costs will accrue for services performed outside Johnstown PA, they are in addition to the officiating fee. NOTAFLOF

Resident Officiant

You bring something borrowed and something new,
let a room be your something blue. In April 2021, I was invited to act as the Resident Officiant at Stanza in Blue, a permanent art installation at ArtHouse6.

Survey Under a Blue Moon

The Habitorium was commissioned to survey guests at a wedding on October 31, 2020. I conducted a Survey Under a Blue Moon inquiring about habits of the heart, to benefit the newly wed Caityn Antal and Brady Shriver. They tied the knot at The Bottleworks in Cambria City. I enjoyed the celebration from a quiet spot near the gift table with a lovely view of the moon. The attendants happily engaged in the process of answering the survey questions and the results show it. Paintings inspired by the results are underway in the studio.

Thanks so much to Linda Shiver and Kris Mellinger for sharing their photos of the evening with me.

Stacked Abstractions

Charlie Pfeil and I are related by marriage. His daddy’s baby sister Ruth married my daddy’s brother, Daniel. Charlie is known about town for making small versions of local landmark buildings from painted plywood. He works on them the basement of his Dale Borough homestead. It is tidy and clean and, when Charlie is in production, it’s banging! With volume set to eleven, Tool, Metallica and Korn are in frequent rotation. He finds it relaxing and therapeutic. Four years ago, Charlie was diagnosed with Parkinson’s and creating these small buildings in his workshop while blasting heavy metal steadies his shaking hands. “I put the music on and start working and it stops, almost immediately.” I am amazed and inspired by Charlie’s focus. Habits of healing and creativity are performative and generative. I think his Stacked Abstractions illustrate that performativity. They carry the vibe of Charlie’s habits, just like his replicas of building scattered around town.

You can visit a baker’s dozen of Charlie Pfeil’s little buildings, and twice as many are held privately. There are four in downtown Johnstown from the By George Inn at the Stadium Pub and Grill, to the War Memorial – a model that required 500 hours of work to complete. Six places in Dale have reproductions by Charlie including Bantly Hardware (circa 1977), TNC Lounge, and BZ Pools. Three churches display his replicas: Beulah United Methodist Church in Dale, University Park Church of God in Richland, and St. Francis Xavier Catholic Church in Cresson. The Habitorium is preparing a map of all the venues that house his models.

Stacked Abstractions are made from the left over wood of Charlie’s buildings. He cuts the gleaned wood, then sands and paints the pieces balancing several together, seeming ready to tumble at any moment. Each unique Stacked Abstraction is priced between $10 and $15 and can be shipped.

3 Flashlight Gallery is selling other structures created by Charlie Pfeil including Christmas decorations for your tree and table, a sweet gingerbread house, and a trio of simple crosses. Please inquire with Jo at jonovelli@gmail.com about an array of buildings that Charlie has on hand, and for sale, that are not located in the gallery.

Anthrax it Aint

years ago, i wrote a small review for a show happening at a local gallery.

Anthrax it Ain’t (c. 2007)
Lets face it: $1.98 will send 8 ounces of just about anything through the US Postal Service. In The Post Card, Jacques Derrida put it this way: “Whether you put one word or one hundred in a letter, a word of one hundred letters or one hundred words of seven letters, the price is the same, this is incomprehensible, but this principle has the capacity to account for everything.” A good mail art show exploits the depth of Derrida’s principle by testing the limits of the USPS and challenging the rarified notion of what can be hung on the gallery wall. This is the story of three accountings happening here in Phoenix: an accounting of emerging gallerists; an historical accounting of mail art as a genre; a humanitarian accounting of American deaths in Iraq; an accounting of one postal worker’s paranoia.
The Trunk Space opened its Mail Art Show on the first Friday of August. JRC and Stephanie Carrico, the former coffee compatriots at The Paper Heart, and owners of the gallery, displayed all 53 submissions they received from places as distant as Italy. Each piece of art in the show was on sale for five bucks with all proceeds going to benefit Arts Link. The exhibit included works by several local artists including Lisa Takata, Dain Gore and the Bledsoe duo: Richard and Michelle. The most intriguing submission to the show came from A. Polk: a scrap book, wrapped around its width with a wide band of vellum and bound closed by fine, strong twine. This fastening, a practical measure to secure the book during its postal passage, became a part of the object. It coaxes the observer to peek between the book pages but defies being undone. The substance of the scrap book was changed when Polk bound it; to snip the brown twine, to slice through that foggy outer slip would be to change it, and that would be a shame.
Like all Mail Art shows, this one was a populist endeavor: if you could go to the post office you could submit work to the show and it would be displayed. The inclusiveness of The Trunk Space show conforms with one of the conventions for mail art exhibition set forward by the New York Correspondance (sic) School. While an exhaustive historical accounting of this aesthetic could probably be traced back to the inception of postal exchange, it was Ray Johnson who formalized the practice by establishing the school in the late 1960’s. NYCS participants deployed their methodology as a medium: if an object passed through the postal system it was considered mail art. Johnson further complicated this practice with the nascent collages he sent through the mail to other artists. These correspondences with instructions to “Add to and Return to…” passed through the mail boxes of Robert Rauchenberg, Jasper Johns and Chuck Close, among many others. Letters that have been preserved are terrific examples of collaboration and a pop sensibility that was sanctioned by the postal systems of several countries.
Johnson committed suicide in 1995, but his “Add to and Return to” instruction has found another life in practices that couple snail mail correspondence with web-based networking. Baghdad Diaries (baghdaddiaries.com) is one Phoenix-based project that thrives on this dual circulatory system. Steve Salik, under the nom de plume “A Concerned Citizen,” was inspired by his participation in 20things.org and 1000journals.com to begin his latest project. Subscribers to Baghdad Diaries sign up to receive, by book rate U.S. postal mail, a handmade journal. Each diary is dedicated to individual American soldiers who died in the Iraq war. This is no small task given the difficulty of discerning an accurate and timely list of the deceased military personnel. Issued in sets of ten, each set with a different cover design, these journals start out blank and each subscriber adds to the book and sends it to the next recipient on the list. Visitors to the site who choose not to subscribe can peruse scans of journal pagess, read Salik’s comments about the project or track the progress of each journal as it travels around the globe.
Salik asks registrants to participate in an “interactive dialog about the war in Iraq, the ‘War on Terror’ and the way that these events are impacting our daily lives at a personal level”. I have recorded the story of my participation in the Trunk Space Mail Art Show in Diary #7.
“It was flat piece of wood with bark around its edge, on one side was a picture of a clown wearing a monocle, on the other I wrote: The Trunk Space, 1506 NW Grand Ave, Phoenix AZ 85007. I handed my parcel to the postal officer and asked him to hand cancel it and send it via first class mail. He looked at me like I was out of my mind. ‘I can’t accept that’ he said, ‘Ever since the anthrax scare we don’t hand cancel anything and we aren’t allowed to send objects without envelopes.’ He wouldn’t touch it. As I studied his face I thought about asking him: ‘Wouldn’t it make more sense to put a tainted log slice in an envelope?’ In the end, I decided it made no sense to try to rationalize his reaction to my request. We are fighting a War On Terror after all.”

Baghdaddiaries.com
Thetrunkspace.com
Artlinkphoenix.com

open letter to gg

dear goth gardeners:
you rock.

i recently joined your fb group and, as with most social circumstances since 2013, i’m not quite sure how i got here. i check the feed daily and am astounded by the content every time: amazing plants, design ideas, gorg found objects, great advice, humor and FASHION! since joining, i’ve learned there are many such groups and pages, but i’m a loyalist – i stay put despite all my watery, piscean ways. besides, yours is one of my most favorite groups to follow.

thanks to you, i’m starting a thread on my blog for ‘gardening’ under the greater category of the habitorium. writing under this new category will be addressed to you. i’ll share content inspired by all the good wishes i’ve cast for you and your plants, the insights i’ve gained from your generous sharing, and all the notes i’ve scribbled to you. consider this thread a huge overflow of love from this black, black heart of mine.

posts in the works:
  • whats goth got to do with it?
  • i kill cacti in the desert
  • don’t jump with that hedge trimmer!
  • moss and me, ferns and trees
  • jtown gardens seasonally
  • stackhouse park rocks
i wont give any credit to our current leadership, but its got to be more than coincidental how my troubles really started in 2016

every day, when i check the gg feed, i get more rooted to my own garden. its been a tough row to hoe, getting to these roots.

you know how things happen in threes? in the instance of my uprooting, the three things that happened were cubed. the details are astounding and i’m in the habit of sharing them. i’ve made this list special for you, goth gardeners. believe me.

now, i know many lives written in threes cubed can make my story seem paultry. i am acutely aware of the many blessings embedded in my privileges, i count them every day. you, goth gardeners, are one of them. thank you for the chance to exercise these knowings as i plant intentions in the wake of my three ring circus, and seeds in the ground.

Zoom and Bow Ties

I’m in the habit of instigating people to do things and these are almost always joyful instigations. Sometimes it just happens, sometimes not so much. Recently I had an opportunity to instigate a classroom of little people in the name of education.

I was invited by my cousin Mark’s son Greg to crash his first grade classroom on Wednesday. Greg is a substitute teacher who now works from his home in Colorado. His students are in New York, Ohio and Colorado. I am in Pennsylvania. As soon as he asked, I imagined how charming it could be to meet on Zoom, all together, apart, online.

I should note that never have I ever imagined entertaining a room full of first graders before that moment. Eigth graders? Sure. 7th, even 6th grade classrooms were familiar to me. But, it seemed like a good idea, given the pandemic and all. Anything is possible, right?

Greg and I agreed some sort of art project would be great. I became excited about all the possibilities. Then all the possibilities freaked me out. Suffice it to say, Tuesday came around and I had no idea what I would do. When in doubt, I plunder my library. Almost immediately, I hit upon Alice in Wonderland. Fantastic! I thought, and pulled it off my shelf.

I was way off, but I had no idea until I tried to get these little humans to focus on the story. They were lost… or maybe it was just the digital platform. So I started asking them questions: What’s marmalade? How do you curtsy? What is a waist coat? Where is your waist? Oh, it was great fun. I did a lot of laughing. I was really challenged by understanding who was talking when and whether these great kids could hear me. All the seeming chaos resolved in two assignments. First, learn how to curtsy then devise a fancy curtsy. The second assignment was to make a bow tie from things from your garden. NO TAPE! I wondered if I was getting through, with all the flashing green frames and lovely little faces laughing with me… I asked if they understood the assignment to a chorus of “yes” as they sat staring at me. I yelled “Well, what are you waiting for? Get outside!”

This week, I will see how their curtsies are coming along. They are supposed to practice the standard curtsy, and perfect a fancy one. Stay tuned.

E Responses to Survey

Thanks to Linda, depicted here c. 1983, for her instant solution to the problem of getting my hands on all your completed surveys. I really wanted to rely on the USPS, I insisted on it when Arlan (the curator) at IAMB Gallery urged me to go electronic. I wanted the slowness of mail. The good sense of social distancing is the only thing that could inspire a change of heart. Here it is…

PLEASE TAKE A PHOTO OF YOUR COMPLETED
Survey of Bookish Habits
and send it to me at
JONOVELLI<at>GMAIL<dot>COM

As the photos roll in, I will add your contribution to the paper copies I have on hand. Your input will be counted. My hope is that I can secure images of the paper copies held by Arlan, too. Stay tuned and thank you for considering The Survey of Bookish Habits as a diversion during these times of new habits on all fronts!

The Habitorium

The Habitorium is an independent research project of Jo Novelli-Blasko. It is a platform for creative gestures that disrupt habits, slow them down and distill actions from attitudes. The Habitorium surveys participants and generates various data, ephemera, and actions toward efficacious interventions.

I am currently migrating The Habitorium website to this jonovelliblasko.com domain. Its a big project, I am being methodical.

Next up: building out pages documenting projects from 1997 to 2019. Stay tuned.

AD1: New Habits

AD1 is the first in a series of Appalachian Dispatches, sent from a town highly ranked for how quickly it is shrinking, the depth of our impoverishment, and the illness of our population. I mention these conditions to highlight truths, not to fetishize our destitution. In fact, Johnstown has always been known for our disasters (the floods, mills, rust, etc.) so – hold our coffee. Here is the beauty of surviving disasters, we are experts in resilience.

This blog will be a testament to what I see here, all of it. My view is from a hillside trail where I enjoy the tremendous privilege of greeting each day, to breathe in agreement with the forest and my two dogs. We are committed to our continued mission of doing no harm.